Behavioral scientists recognize that The Self often acts as a major influencer in one's life, occupying extensive mental space and coloring how we see and respond to others. The "sense of self" is a major topic of study among psychologists, from simply recognizing one's own face in a mirror during toddlerhood to the gradual recognition that life in one's own head - including one's visual perspective, knowledge, beliefs, and desires - differs from those of others. Researchers have long addressed themes within the ambitious storyline of Soul. For example, what if one can't figure out their spark? And two, what if the spark consumes too much energy and attention, veering toward an obsession? There's a third source of trouble with a spark, left largely unresolved as the story develops: what if my spark isn't what I thought it was? The science of self-understanding
Interestingly, despite the character's pleasure on the piano bench, the film depicts a spark as a source of bonafide tension, in multiple ways. He's shown repeatedly entering a focused bliss while playing his beloved piano, what he calls being "zoned out." For Joe's part, he spends most of the story convinced that his love of music constitutes his unique purpose. Instead, the action dwells on a sometimes elusive (and sometimes problematic) component of what makes a person a person: one's so-called "spark," the meaning in life that motivates and defines an individual. The film doesn't address the personality of Gardner per se, although he is depicted as self-effacing, able to connect with students, and a bit scatter-brained.
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Of course, this unveiling is all news to main character Joe Gardner, a middle school band teacher with big dreams of life as a professional jazz musician. In the Great Before, one's personality is selected for them - some are sent off to the "excitable pavilion," for example, while others are chosen to be "aloof." It is only when a "complete personality" is rounded out that the soul embarks on a journey to begin life on earth. The film references its own novelty, the "Great Before," with language that pokes fun at corporate jargon (a soul's destiny is set in the "You Seminar," a recent "rebranding").
Soul suggests that the answer to this piece lies in several parts. An imagined look at our personality origins Warning: The following contains minor spoilers for Pixar's Soul. But what about the first part of that original dichotomy? Who am I? The latter element refers often to that old question from childhood, and generally references a specific lane: what role does one play in the paid workforce? Am I an office manager for a dental practice, a public relations writer, or a child care provider? The roles we hold across adulthood fill our days and provide material support for our lives, and for many, they bring a lasting sense of fulfillment. Pixar's latest offering, Soul, explores a theme that resonates with many of us at different points in our lives: who we are vs what we do.
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